Intended as a summation as well as a continuation of several studies on the work of Walter Benjamin, Anselm Kiefer, and William Kentridge, this article proposes to configure Benjamin, Kiefer, and Kentridge in and as a melancholy constellation."Melancholy Scales constellation" serves here as a theoretical construct of the mobile concepts with which Benjamin, Kiefer, and Kentridge "preposterously" think and perform the imaging of history.On the basis of these mobile concepts, I shall also refer to my theoretical concept of melancholy constellation as a mobile constellation.Furthermore, while melancholia traditionally signifies a state of acedia or immobility, its historical image will be shown to be dialectical -signifying both black bile and inspiration; always involving mobile positions.The dialectics of melancholia will be related to the dialectics of melancholy writing, which in turn is enfolded with my Steamrollers discussion of the performative self-reflexivity at play in the work of Benjamin, Kiefer, and Kentridge.